|
Table 3: Amplifier input clip levels
| |
|
|
|
|
X20
(26dB)
|
8.2dB |
11.2dB
|
14.2dB
|
| X40
(32dB) |
2.2dB |
5.2dB |
8.2dB
|
| 0.75V |
0dB |
0dB |
0dB |
| 1.4V
|
+5dB |
+5dB |
+5dB |
Now that we have thrown all of these numbers out there for you
to ponder over, we now need to know when we would want to use these
different input settings.
The primary factor in determining which settings to use is determined
by the designers requirement for the systems noise floor.
If noise floor is not absolutely critical (NC-25 or higher spaces),
then the amplifiers can safely be set on 0.775 (or preferably 1.4V
if available).
Because the actual gain of the amplifiers is quite high (~X40 for
a 100 watt amp to ~X130 for a 2500 watt amp), the noise floor will
be higher. The clear advantage, however, is that you do not need
to calculate the attenuation needed for every channel of every amplifier.
If noise levels are a critical concern, then constant gain settings
should be used, but you will need to calculate the attenuation for
each amp channel.
To conclude our discussion on signal processing and the output level
switches on DSP devices, if you are using an amplifier that has
its input sensitivity set on 0.775V, then the output of the DSP
should be set at 0dB. This will provide 18dB of attenuation between
the console and the amplifiers.
If the input sensitivity of the amps are set at 1.4V, then the output
of the DSP should be set at 6dB. If you are using constant gain,
then each output needs to be addressed on an individual basis.
One final note on gain structure worth mentioning is to always have
a good sense for what is occurring with the system equalization.
Lets assume that there is a large +10 dB boost in the EQ at
8K.
During system tuning it may make the speakers sound very well and
provide extended high end frequency response, but 8K signals will
clip the amplifiers 10 dB sooner than the rest of the system. Similar
problems may arise from very large EQ cuts, but if at all possible,
for gain structure purposes, it is better to cut than to boost,
and it will always be best to keep your cuts and boosts to an absolute
minimum.
(Brian Elwell is senior consultant with Acoustic Dimensions,
Dallas, and has contributed to system designs at major stadiums,
houses of worship, theme parks and many other venues. You can send
him questions at belwell@acousticdimensions.com.
In addition. Brian will be PSWs live chat guest on Tuesday,
August 27, starting at 9:30 pm Eastern time, to discuss gain structure
and other design topics of interest to the audience. For more info,
click here. )
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